International Klein Blue

There are few artists who actually create a color. One such man was Frenchman Yves Klein, a somewhat polarizing figure among art critics (was he Neo-Dada? No, Post-Modern!) and an artists with the intellect to invent a new color, the talent to put it to good use, and the audacity to name it International Klein Blue.

He painted in free-form styles, using everything from wind and rain to blowtorches to work his canvases. He also used, famously, naked women. He generally worked with a single color; can you guess which?

International Klein Blue

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The Albini Desk

The Franco Albini Desk, our favorite piece of desk design.

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Celebrate Howard Finster

Howard Finster is my favorite American artist. I was introduced to him by my Dad when I was younger; at first I just loved that he wrote all over his “canvases” and seemed a bit nuts. That he lived and worked in my homestate of Georgia only grew my affection. But, as I’ve grown up, the paintings, carvings and sculptures have come to mean more.

Finster was a deeply religious man convinced in a vision from the lord that he should paint. He created thousands of folk art pieces over his life, including his home, Paradise Gardens, which became an ever-changing permanent exhibit of carving, painting, paint-penning, chalk-drawing, sculpture, agriculture, and architecture. When he died the place fell into disrepair, but it has since been put under the protection of the state, and volunteers are working now to restore it to it’s former glory.

Finster’s un-precious, un-precocious, un-pretentious works of art are the mad, wonderful scatterings of a brilliantly fractured mind and talent. They’re so much fun, they look so good, they’re so honest and American.  See them in the Smithsonian or in Northwest Georgia; they’re folk art at it’s purest and least complicated.

Jasper Johns

A great American artist:

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An iconic musician deserves an iconic instrument; and it doesn’t get much better than Loretta Lynn and her custom guitar, with her throughout the last several decades (apologies for the gettyimages stamp):

We see it again, worn but none the worse, on the cover of her most recent album, 2004′s excellent Van Lear Rose:

She made the album with Jack White (of the White Stripes), one of the rare performers allowed to play the guitar himself, which he did in their video for “Miss Being Mrs.,” the penultimate track on Van Lear Rose.

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The Disco Before the Breakdown

Whaddya know, my favorite band’s (Against Me!) best album (EP actually) features their best cover art:

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Well, our beloved Yanks went down to defeat on Saturday afternoon, put down in overtime by Ghana, poor defense and missed opportunities. At least we don’t have to face the prospect of hoisting that tacky World Cup posted about on Friday. Feeling bummed, I went with my girlfriend to an Atlanta Braves game on Sunday, looking for some good old American baseball to bring me back to sporting life; no go, as we went down 10-4 against the Detroit Tigers. Oh me, Oh life!

This is a long way to go to let you know I thought about Field of Dreams a lot this weekend, one of my favorite movies, and how it’s themes of hope, progress, history, family bond and baseball all mix perfectly, and headily, into an important and enduring way of looking at America. Terence Mann (AKA J.D. Salinger):

“The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time. This field, this game: it’s a part of our past, Ray. It reminds of us of all that once was good and it could be again. Oh… people will come Ray. People will most definitely come.”

(Basis will now break for you to go out and see this movie, finish crying, and come back.)

In the end, it is not defeat that matters, but the possibility of victory. The possibility of perfection is what will bring us back to the diamond, will bring us back to the World Cup in four years’ time, and what will bring us back to ourselves, and our country. It’s not July 4th, but it was an interesting weekend to be a sporting patriot. What does this have to do with art and design? It also made me think of perhaps my favorite Hendrix jam. Played loud and early, 1969, the alarm clock for what was for three days the the third largest city in New York State, 400,00 kids sleeping in the fields; The Star Spangled Banner played as commentary; as a blackboard erased and rebuilt, erased and rebuilt, and going on to perfection.

Hendrix – The Star Spangled Banner

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Interpol: Antics

My favorite album cover of all time (so far, that I’ve seen, etc.)

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George Wesley Bellows

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Andy Warhol and The Velvet Underground

Some folks don’t know that aside from being an artist, filmmaker and general mover and shaker, Andy Warhol also dabbled in music production. The band he ushered into the limelight (thanks, by the way)? The Velvet Underground.

Velvet Underground Live

Only the first true punk band; only the first band to harness the power and beauty of the drone; only our first introduction to Lou Reed, John Cale, and chanteuse Nico. The Velvet’s changed everything, and the cover of their first album, The Velvet Underground and Nico, became one of Warhol’s most absorbing, playful, and not-so-subtly transgressive images:

If you look closely at the top, you can see the lettering: “Peel slowly and see.” A pretty blatant come-on, even for the late 60s. Of course if you did peel it, your prurience was rewarded with the mock-innocent image beneath the peel;

Well, what did you think was under there?

We’ll go out with the Velvet’s masterpiece:

Heroin

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