An iconic musician deserves an iconic instrument; and it doesn’t get much better than Loretta Lynn and her custom guitar, with her throughout the last several decades (apologies for the gettyimages stamp):

We see it again, worn but none the worse, on the cover of her most recent album, 2004′s excellent Van Lear Rose:

She made the album with Jack White (of the White Stripes), one of the rare performers allowed to play the guitar himself, which he did in their video for “Miss Being Mrs.,” the penultimate track on Van Lear Rose.

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The Disco Before the Breakdown

Whaddya know, my favorite band’s (Against Me!) best album (EP actually) features their best cover art:

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Well, our beloved Yanks went down to defeat on Saturday afternoon, put down in overtime by Ghana, poor defense and missed opportunities. At least we don’t have to face the prospect of hoisting that tacky World Cup posted about on Friday. Feeling bummed, I went with my girlfriend to an Atlanta Braves game on Sunday, looking for some good old American baseball to bring me back to sporting life; no go, as we went down 10-4 against the Detroit Tigers. Oh me, Oh life!

This is a long way to go to let you know I thought about Field of Dreams a lot this weekend, one of my favorite movies, and how it’s themes of hope, progress, history, family bond and baseball all mix perfectly, and headily, into an important and enduring way of looking at America. Terence Mann (AKA J.D. Salinger):

“The one constant through all the years, Ray, has been baseball. America has rolled by like an army of steamrollers. It has been erased like a blackboard, rebuilt and erased again. But baseball has marked the time. This field, this game: it’s a part of our past, Ray. It reminds of us of all that once was good and it could be again. Oh… people will come Ray. People will most definitely come.”

(Basis will now break for you to go out and see this movie, finish crying, and come back.)

In the end, it is not defeat that matters, but the possibility of victory. The possibility of perfection is what will bring us back to the diamond, will bring us back to the World Cup in four years’ time, and what will bring us back to ourselves, and our country. It’s not July 4th, but it was an interesting weekend to be a sporting patriot. What does this have to do with art and design? It also made me think of perhaps my favorite Hendrix jam. Played loud and early, 1969, the alarm clock for what was for three days the the third largest city in New York State, 400,00 kids sleeping in the fields; The Star Spangled Banner played as commentary; as a blackboard erased and rebuilt, erased and rebuilt, and going on to perfection.

Hendrix – The Star Spangled Banner

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Lady Gaga vs. Roisin Murphy

There’s been a hubub recently about the marked similarity between the “look” of Lady Gaga as compared to a performer who’s been around longer and done some of it before; Irish performer Roisin Murphy. Take a look:

Pretty, pretty, pret-ee similar. Eh. For me, it’s the music, and that’s pretty much unimpeachable. As for Roisin, she had this to say: “I respect Lady Gaga’s work as an artist and as a fellow fashion icon. She is a very talented performer, playing the piano, singing live and dancing too. I Don’t Care about Shoulder pads!”

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Interpol: Antics

My favorite album cover of all time (so far, that I’ve seen, etc.)

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Andy Warhol Album Covers

After our last post, I thought it might be nice to go through the archives and find some other Warhol cover art. The first few he did are quite strong, but as the 60s/70s turned into the Wall Street 80s, Warhol’s work (and his subjects) got progressively more tasteless (in an aesthetic sense) and, sad to say, nakedly for-profit. Though some will argue forever that that was his whole point. (He once said: “Making money is art, and working is art and good business is the best art.”)

Here they are:

This is John Wallowitch!!! – John Wallowitch

Sticky Fingers – The Rolling Stones

Love You Live – The Rolling Stones

Silk Electric – Diana Ross

Aretha – Aretha Franklin

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Andy Warhol and The Velvet Underground

Some folks don’t know that aside from being an artist, filmmaker and general mover and shaker, Andy Warhol also dabbled in music production. The band he ushered into the limelight (thanks, by the way)? The Velvet Underground.

Velvet Underground Live

Only the first true punk band; only the first band to harness the power and beauty of the drone; only our first introduction to Lou Reed, John Cale, and chanteuse Nico. The Velvet’s changed everything, and the cover of their first album, The Velvet Underground and Nico, became one of Warhol’s most absorbing, playful, and not-so-subtly transgressive images:

If you look closely at the top, you can see the lettering: “Peel slowly and see.” A pretty blatant come-on, even for the late 60s. Of course if you did peel it, your prurience was rewarded with the mock-innocent image beneath the peel;

Well, what did you think was under there?

We’ll go out with the Velvet’s masterpiece:

Heroin

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Get The Led Out

Behold, the cover of one of the great albums of all time. Of course, if you’d never seen it before, you would never know what it was. Can you guess?

Released with no title, no writing on the cover, and no identifying names or symbols, Led Zeppelin’s 4th album would go on to be their most successful of all time. Selling over 37 million copies worldwide and bringing the band roaring back from the tepid reception given Led Zeppelin III, the 4th album contained gems like “Black Dog,” “Rock and Roll,” “Stairway to Heaven,” and “When the Levee Breaks.”

This beautiful cover was chosen as one of the top ten iconic covers of all time for a series of stamps in the UK, and stands here as a testament to substance over marketing, content over branding, and the triumph of the worthy. Rock on.

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