Get The Led Out

Behold, the cover of one of the great albums of all time. Of course, if you’d never seen it before, you would never know what it was. Can you guess?

Released with no title, no writing on the cover, and no identifying names or symbols, Led Zeppelin’s 4th album would go on to be their most successful of all time. Selling over 37 million copies worldwide and bringing the band roaring back from the tepid reception given Led Zeppelin III, the 4th album contained gems like “Black Dog,” “Rock and Roll,” “Stairway to Heaven,” and “When the Levee Breaks.”

This beautiful cover was chosen as one of the top ten iconic covers of all time for a series of stamps in the UK, and stands here as a testament to substance over marketing, content over branding, and the triumph of the worthy. Rock on.

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An ad campaign featuring the lovely and impressive Charlotte Gainsbourg, impressively and loving photographed for Balenciaga. Gainsbourg is the daughter of French singer/songwriter/provocateur Serge Gainsbourg, most famous in this country for “Je t’aime… moi non plus,” (“I love you… me neither”) a song that included what is rumored to be an on-air female orgasm, and for telling Whitney Houston, in French and then English, just what he’d like to do to her. His daughter has had a successful singing career as well, and is an excellent actress to boot (Antichrist, I’m Not There).

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Funny Money

Behold, the new five dollar bill!

Just kidding. But it should be. By Michael Tyznik.

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Labels: Can Be Good

For instance, this little number that always makes us here at Basis feel a touch more refined when sampling it’s delights:

The less said about their obnoxious new “Start a Party” ad campaign the better.

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Great Letterheads

We here at Basis would like to direct your attention to a great website for perusal and weekly reading: Letterheady. Run by the same fellow who runs the equally excellent time-suck Letters of Note, Letterheady is a collection of extraordinary letterheads from actors, writers, companies, artists, etc. The detailing, the design, the charming pre-email tactile pleasure of the physical letter is worshipped there, and that’s as it should be. Some of our favorites (and please go visit the site):

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Presidential Signatures

Some of the best, some of the most famous, but the best first:

The signatures of Ulysses S. Grant, Grover Cleveland, and Calvin Cooldige. Not our most accomplished Chief Executives; too much time perfecting their signatures, perhaps.

Now the famous:

George Washington, Thomas Jefferson, and John F. Kennedy.

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White House China

We here at Basis are in a culinary state of mind, having seen Julie & Julia this weekend (and, yes, having bought Julia Child’s Mastering the Art of French Cooking from Amazon almost immediately). We got to thinking of dinner plates, and then to some of the most famous, and arguably most important, plates on earth; the White House china. Luckily for us, most of the White House china used over the centuries has been preserved in some form. Although it was not until somewhat recently that congress passed a law mandating that all White House china be either saved or destroyed. There’s a great story that when Lyndon and Ladybird Johnson didn’t like their dessert plates, the staff were allowed to smash them against a wall in the basement! For your edification, a selection of the choicest china our country has to offer:

George Washington, 1st President of the United States

Thomas Jefferson, 3rd President of the United States

Abraham Lincoln, 16th President of the United States

Woodrow Wilson, 28th President of the United States

George W. Bush, 43rd President of the United States

Let’s eat!

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Want

Allow us to display our favorite shoes of all time, the red, low-cut, Chuck Taylor Converse All Stars.

Love the look, love the design, love the color. Love the associations with the bygone days of the NBA, neighborhoods with decorated telephone wires, and punk music. Gimme.

Yes, we shun the high tops when it comes to personal choice, but they, too, look rather fresh:

Of course, some of us are classicists.

Do you know what the trouble with a classicist is? We’ll let Lou Reed and John Cale fill ya’ll in on that one:

The trouble with a classicist, he looks at a tree;
That’s all he sees, he paints a tree.
The trouble with a classicist, he looks at the sky;
He doesn’t ask why, he just paints a sky.

Digression!


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Post-Up

A selection of only the finest movie posters. Some of these we have on the walls here at Basis Design. Yet more in our ambitious coverage of the impending Academy Awards in Hollywood, California.

Full disclosure; a few of these are cheats, as they represent the modern day Criterion posters, and not the originals. We’ll let you know.

Let me commit film-lover heresy here by saying I’ve never thought of The Birds as one of Hitchcock’s better films. Even worse, the famed “Tippi Hedren watches in horror as the flames lick backward up the gasoline spill to explode the car” sequence leaves me cold; her reaction shots are poorly timed, static, and unconvincing. Whatever, this poster kicks so much ass.

From Criterion. Drop-dead gorgeous, and chilling if you know what happens in the film. Ang Lee is somewhat under-appreciated, in my view; I thought this was a fantastic film, and I rate his recently released (and NC-17) chinese-language feature Lust, Caution, as one of the best of the last half decade.

Preminger’s Anatomy of a Murder, a really cool look at a particular type of design/art-work. You can see this re-hashed on the covers of dozens of dime-store vintage paperbacks from the fifties and sixties.

One of the weirdest, wildest films to emerge in the last half century. Calling back to the equipment, editing strategies, and acting of the bygone silent era, mad-Canadian Guy Maddin produced a lucid dream that engulfs viewers in a visual storm.

For my money, the creepiest, most stomach-turning movie ever. And the poster matches it sense-of-pervasive-dread for sense-of-pervasive-dread.

This poster is perfect for the film within. Not at all for the faint of heart or stomach, this is a documentary on the holocaust by the great French director Alain Resnais (Hiroshima, Mon Amour).

A chilling and iconic snapshot of dystopian science fiction, early century one-sheets, and German Expressionism through the lens of the great Fritz Lang.

Funny, dark, sarcastic, ironic. Describes the poster, describes the movie. One of Basis’ favorites, and hanging proudly on our wall.

Our favorite movie poster of all time. One of our favorite directors of all time, and probably the greatest. There is nothing about this poster that isn’t cool, ahead of it’s time, and gorgeous. Hanging on our wall as well.

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