Good Eats

Living in the South, you will inevitably come to love some hole in the wall, middle of nowhere, run by an old married couple barbecue joint. They always have the best food, and there’s never a wait. There are a few places like this in my hometown, and I love driving down a road and seeing an sign or restaurant that reminds me of one of these places.

There’s absolutely nothing like home, but a good ole’ barbecue place with great fixin’s and lots of sauce can run a close second.

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The enigmatic cover of one of the most moving, emotional, and riveting albums of all time. It’s a concept album – a meditation on Anne Frank, childhood, parents, war and holocaust. You’re cheating yourself if you don’t give it a listen. HIGHLY recommended.

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The cover art is nearly as iconic as the album itself. Like the music within, it’s a  swirling, vibrating, super-charged jolt of guitar wailing. It’s pretty great, is what I’m saying.

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Red Soles and Long Heels

There is no introduction necessary for the bright red soles of these stilettos, but in case you’ve been under a rock for the last ten years here are some of the beautiful creations from shoe designer Christian Louboutin. I’m so enamored with these shoes that I had to do a second post about them – show off some newer looks. Louboutin exploded onto the shoe scene in the midst of a Blahnik overhaul and has not taken his foot of the gas yet. In a world of women who have ‘grown up’ watching Carrie Bradshaw strut down the streets of Manhattan in her Jimmy Choo and Manolo Blahnik shoes, Christian Louboutin created a product that was dying to be bought. These shoes can only be described as wearable pieces of art, and wearing this art can make a girl feel more beautiful that ever. Another perk to a great pair of Louboutins? EVERYONE knows you’re wearing them. The unmistakable red sole is now synonymous with the designer’s name. So, feast your eyes on some of the more extravagant and beautiful pieces in Louboutin’s collection.

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MTV Movie Awards Set

I found myself watching a rerun of the MTV Movie Awards in an effort to lull myself to sleep last night. Instead, I was enchanted by the shows elaborate and fantastical set this year. The Gibson Amphitheatre in Universal City, California was transformed into a magical wonderland filled with butterflies, jewels, caves, moss, etc. The creative mind behind this transformation was MTV’s production designer, Leroy Bennett. The obvious front runners in any MTV race are Twilight and Harry Potter, and the set accurately reflected the themes of these movies. The set would have fit in perfectly in any werewolf, vampire, or wizard world. Eerie trees and billowing fog created a beautiful and picturesque backdrop for the evening’s events.

Here are a few shots of Bennett’s work.

MTV Awards Stage

Here 35 year old Reese Witherspoon accepts the MTV Generation Award for her body of work.

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One of our favorite bands here at Basis Design is The Decemberists. We love the music, we love the folklore, and we love the language. Incidentally, we also love the art. Specifically, the cover art:

This is gorgeous, first of all. But it’s also married very closely to the themes of the album, as well as the setting and language used within it. The Hazards of Love is a concept album concerning the lovelorn fates of a maiden, a shape shifter, a forest fairy queen, and an evil rake. It takes place in the taiga, old and cold forest far north. The starkness of the color, the simplicity of the black night and the grey trees, conveys both beauty and menace on the cover of the album. I love it. The density of the “trees” is a mirror of the density of the songs, the repeated and overlapping musical themes, and the often challenging old-english style wordplay. A success.

This cover fits into the stark and foreboding mood of one of their E.P.’s, The Tain.

Another concept album folktale, another stark and lovely design.

The second (of three) categories for Decemberists album covers is olde-timey-ish folk art send-ups. Yeah, that’s right. Check out Picaresque, Her Majesty the Decemberists, The Crane Wife, and Castaway’s and Cutouts:

All the covers are a reflection of the band’s self-conscious literary flavor. While the music is generally contemporary and folk-rock oriented, the lyrics, the stories, and the stage banter is straight from an earlier century. I like the feel of these “jokes on us” covers, because they work as excellent (and funny) art just as well as tongue-in-cheek self identification from the band.

Then there is a third category, only broached by their most recent album. Not coincidentally, this new album is fresh and new for the band; it’s more country than anything else, and about as happy sounding as a jaybird. The title, The King is Dead, might just refer to their medieval and pre-modern preoccupations. Or it might be a play on The Smiths’ masterpiece, The Queen is Dead. Who knows? We’ll see where they go next.

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