Here’s a Russian-doll type of post; a new building in Chicago (urban architecture capitol of the world) that isn’t just a showcase of great design itself, but is also meant as an incubator for design students and their work.

The brand-new Media Production Center at Columbia College Chicago, complete with sound stages, up-to-the-minute editing facilities, and first rate sound and video equipment:

What lies within...

The MPC is just one of about a dozen Columbia College building scattered throughout the south loop of downtown Chicago. Beyond it’s outward beauty, the building is also LEED certified, and has a lovely green roof; as in vegetation grows upon it, creating energy and serving as natural insulation (which the press file has no photograph of, bizarrely).

And they built it just in time for my graduation! In May 2009! Blerg.

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Salute the Flag, Son

The American flag has remained the same for decades, aside from the addition of a few stars here and there. But there were many versions of the flag before the one we’ve come to know and love(?) today. These include flags with no red white and blue, flags made up on the spot by John Paul Jones to avoid charges of piracy by Dutch statesmen, flags featuring disgusting reptiles, etc., etc. Here’s a sampling of some of the coolest and most surprising.

One of the very first American symbols, this flag flew over American shipping vessels c. 1775. It was a message to the British, and a nationalistic ode to the new world. It was called the Liberty Tree flag.

And now we’ve moved to the first type of flag flown by the fledgling American Navy, c. 1775. It’s still flown today on the oldest naval ship. The rattlesnake is ominous, poisonous warning. Also, disgusting.

We all know the (probably) mythical story of Betsy Ross sewing the first real American flag in 1776. Here’s the (probably fictional) representation of the woman herself presenting her work to Washington.

The flag flown by Ethan Allen and his Green Mountain Boys at the Battle of Bennington, 1777.

The actual flag flown over Fort Sumter in 1861 – the first battle of the Civil War, won by the Confederacy.

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Has anyone else seen those insufferable Pepsi ads with Will.i.am re-mixing Bob Dylan? May You Stay Forever Young by drinking our artificially sweetened, calorie-rich, teeth-staining swill. Pepsi has consistently tried to brand themselves as the cola the yung’uns drink, the new generation of cola. Pepsi is what you drink whilst listening to the latest Black Eyed Peas mediocrity, updating your Facebook page and digitally uploading your thoughts on the latest TMZ scoop. Whatever. Hat tip to graphicdesignblog.org, who took the time to put this chart together:

Notice who stayed consistently classy (with the exception of New Coke) and who relentlessly undermined their historical brand by pathetically and unsuccessfully worshiping at the altar of youth. Coca-Cola for life, brah.

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Smart Designer: Smarts Only

The techno-wizards over at Smart Furniture in Chattanooga, TN, have done it again, bring their previously noted Smart Designer online tool to chairs like the world-famous, world-class, world-traveled, world-weary Eames Lounge Chair and Ottoman, seen here:

At Smart Furniture, customization is king, and you can choose between a wide range of wood and leather to get the right chair for you. Use their online Smart Designer to order a chair that looks like this (black leather, natural cherry finish):

Or this (ivory leather, natural cherry finish):

Or maybe this (indigo leather, natural cherry finish – look, I like natural cherry, aight?):

Or my personal favorite, and what you may buy me for Christmas, this (canyon leather, cherry):

The Eames Lounge Chair isn’t the only chair or product you can customize at Smart Furniture; that list grows by the day. But some of the highlights are the Embody Chair and the Aeron Chair, both by Herman Miller.

Till next time.

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Prescribe Best Dressed for Osc. Hangover

What we liked, and to hell with Joan Rivers:

Vera Farmiga - Up In The Air

Anna Kendrick - Up In The Air

Zoe Kravitz - Precious

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Alinea and Molecular Gastronomy

These are images from the world famous Alinea restaurant in Chicago, owned and operated by Grant Achatz, pioneer of the molecular gastronomy movement. If you’ve got $300 bucks weighing you down, Alinea is a good place to unload it. The presentation is gorgeous.

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Post-Up

A selection of only the finest movie posters. Some of these we have on the walls here at Basis Design. Yet more in our ambitious coverage of the impending Academy Awards in Hollywood, California.

Full disclosure; a few of these are cheats, as they represent the modern day Criterion posters, and not the originals. We’ll let you know.

Let me commit film-lover heresy here by saying I’ve never thought of The Birds as one of Hitchcock’s better films. Even worse, the famed “Tippi Hedren watches in horror as the flames lick backward up the gasoline spill to explode the car” sequence leaves me cold; her reaction shots are poorly timed, static, and unconvincing. Whatever, this poster kicks so much ass.

From Criterion. Drop-dead gorgeous, and chilling if you know what happens in the film. Ang Lee is somewhat under-appreciated, in my view; I thought this was a fantastic film, and I rate his recently released (and NC-17) chinese-language feature Lust, Caution, as one of the best of the last half decade.

Preminger’s Anatomy of a Murder, a really cool look at a particular type of design/art-work. You can see this re-hashed on the covers of dozens of dime-store vintage paperbacks from the fifties and sixties.

One of the weirdest, wildest films to emerge in the last half century. Calling back to the equipment, editing strategies, and acting of the bygone silent era, mad-Canadian Guy Maddin produced a lucid dream that engulfs viewers in a visual storm.

For my money, the creepiest, most stomach-turning movie ever. And the poster matches it sense-of-pervasive-dread for sense-of-pervasive-dread.

This poster is perfect for the film within. Not at all for the faint of heart or stomach, this is a documentary on the holocaust by the great French director Alain Resnais (Hiroshima, Mon Amour).

A chilling and iconic snapshot of dystopian science fiction, early century one-sheets, and German Expressionism through the lens of the great Fritz Lang.

Funny, dark, sarcastic, ironic. Describes the poster, describes the movie. One of Basis’ favorites, and hanging proudly on our wall.

Our favorite movie poster of all time. One of our favorite directors of all time, and probably the greatest. There is nothing about this poster that isn’t cool, ahead of it’s time, and gorgeous. Hanging on our wall as well.

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Edith Head

More Oscar coverage from your friends at Basis Design!

Quick: Which female has won more Oscars than anyone in history? (No, it’s not the person who’s name sits atop the article.)

Okay, yes it is. Edith Head, ladies and gentlemen, Costume Designer extraordinaire!

Grace Kelly and Cary Grant - To Catch A Thief

Audrey Hepburn - Roman Holiday

Paul Newman and Robert Redford - The Sting

Grace Kelly, surely one of the more beautiful creatures ever to live, in Rear Window

Yul Brynner and Anne Baxter - The Ten Commandments

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Fear of a Phallic Planet

I watched Ridley Scott’s Alien recently, and was struck, as always, by the deeply unsettling design for the alien creatures. H.R. Giger is the man responsible, a Swiss artist who won the Academy Award for his work, which played on the latent human fear of alien rape, colonization, and twisted, threatening phallic imagery. Check out Giger’s original concepts and try not to think about the face-hugger when you go to bed tonight.

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Watch Your Back, Franklin

The second in a continuing series on board-certified Great American Thomas Jefferson, or, as I call him, board-certified Greatest American.

Jefferson’s interest in and skill at design weren’t limited to architecture. He was an extremely accomplished scientist, naturalist, and inventor, all of which led to numerous designs for machines and objects both divine and banal. In common they share a bent toward usefulness, and a spirit pointing to a richer way of living. To wit:

In 1794 Jefferson designed and built a new and better plow. This new plow, composed of iron and mould board rather than the simple wooden plows in common use, was able not only to dig deeper into the soil but also to turn the furrow to the downhill side of sloped land. This was vital for hilly agriculture, (and Monticello certainly qualified) because it drastically cut down on the erosion that threatened hundreds of farms every spring.

Jefferson was also a lover of food and wine; his Whitehouse dinners were legendary for their length, the amount and diversity of cuisine, and the total absence of servants or seating arrangements; Jefferson wanted conversation first and foremost, so he never used waiters and formal structures unless he had to. Below is his design for a macaroni machine, a pasta he’d been exposed to during his international travels:

Here, a photograph of the dumbwaiters Jefferson invented so he and his guests could serve themselves wine from the cellar without leaving the table:

His design expertise ranged beyond the mere mechanical however, and into the merely ingenious.

When he was Secretary of State under George Washington, Jefferson invented a completely secure (at the time) encoding device for sending secret messages. It was especially important for American officials serving in Europe, as European postmasters opened and read all international correspondence without exception. Here’s the wheel:

The sender of a message would merely turn all the cylinders until they spelled out a sentence. Then, they would choose another line of text on the cylinder and copy it down; for example CGHY TSOU AWQC KLIGU CLIO. This is the message they would send. The recipient would then use their own encoder to copy the sent message, then search around the cylinder for the spelled out sentence. Trixy, as they say.

One of Jefferson’s coolest inventions was the so-called Great Clock, which is still in working order at Monticello. The clock has two faces, one on the inside and one outside. It is driven by weights (Revolutionary war cannon balls weighing 18 pounds) which hang on the end of two long wires, which lead from the sides of the clock to the nearest wall, where they drop down and descend, eventually, into the cellar. The balls serve not only as gravitational mechanics, they also mark the month and day of the week, as well as approximate time of day.

The day/month is indicated by the labels on the wall.

Jefferson also invented the first copy machine (and made it portable), developed the first true polygraph (not the lying test, but an ingenious contraption that hitched two pens together and made it possible to write a second copy of a letter simultaneously as you were writing the first). Jefferson invented the first spherical sundial, as well developed a rotating closet, mirroring the mechanical tie racks of today but on a much larger scale. He developed a folding, rotating, five-surfaced book stand upon which five books could be opened and read from. He also invented a new type of furniture, adding lounge and desk accoutrements to traditional chairs.

In a highly specialized world, it’s always interesting to reflect on the renaissance men of the past. Jefferson was possibly the best (Franklin-ites go home!).

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